Wow! In the year-and-a-half since my last update to this blog, WordPress has updated the interface a great deal – it’s very pretty now to work in – and quite a bit has happened with me! For those still linking this blog, and for any new visitors, here’s what’s been going on. My book, The… Continue reading Update after a looooong time away…
I’ve been away from here for a couple of reasons, but the biggest one is that it’s marching band arranging season. It, like spring, came late this year, which is why I’m still writing. It seems it took longer for my clients to decide on music this year than usual. Anyway, I was editing parts… Continue reading About using measure numbers in parts and scores
My friend Wayne Markworth, retired band director from Centerville HS (OH) and a member of the BOA Hall of Fame, recently updated his web site, Shadow Lake Music. He also has an attached blog and on it he talks about marching band show planning. If you are engaged in such a process right now, you will certainly want to… Continue reading Wayne Markworth on marching band planning
Jim Wren, legendary arranger for the Phantom Regiment, will be on Marching Roundtable’s podcast on March 9 to talk about arranging the music of Tchaikovsky for the corps. Should be a good one!
I know, I’ve been teasing it for months, but it really is out now! It’s available as a pdf ebook from Marketing Vision Partners for $ 30. I invite you to go take a look! Here’s the Table of Contents page: While I don’t think anything I put in the book is exactly controversial, I have included… Continue reading My arranging book is finally available!
Two years ago I mentioned the Standardized Chord Symbol Notation book published in 1976 by Clinton Roemer and Carl Brandt. Since then, an alert reader, Doug Gifford, found his and scanned it. Link to the whole discussion is here. I think it would be great if this book could be republished. I think back then… Continue reading Seeking Clinton Roemer
When I write a piece, it is generally for someone else to play. (For example, I’m not writing piano arrangements mainly for myself to perform.) Because of that, I really try to get all the articulations and dynamics nailed down in the piece. It takes far longer in a rehearsal to mark a dynamic change,… Continue reading Getting the details right